Miles Davis Bopping The Blues

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Drummer Jeff “Tain” Watts and percussionist Román Díaz enjoyed a special hookup that put you in mind of electric Miles. Blues,” Corea called upon the arrangements of his Grammy-winning Corea.Concer.

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Very few jazz albums possess more historical import and wow-inspiring significance than Bopping the Blues, which documents a 1946 session in which Davis supported a group and two singers, Earl Coleman and Ann Baker, in a splendid bop affair.

Drummer Jeff “Tain” Watts and percussionist Román Díaz enjoyed a special hookup that put you in mind of electric Miles. Blues,” Corea called upon the arrangements of his Grammy-winning Corea.Concer.

So, alright I admit it, last week I was a little late with the offer but to prove i was sincere, here let me make it again. All Request Friday tomorrow, the first song – from now on it will be chose.

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Miles Davis Bopping the Blues on Numbered, Limited Deluxe Edition 180g LP + 45RPM 2LP from Black Lion/ORG Music Landmark 1946 Historical Release Documents Miles Davis’ First-Known Instance of Open-Voiced Trumpet Playing at One of His Earliest Sessions

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If nothing else, the baby-boomer fave The Big Chill was responsible for what would become one of the biggest Hollywood cliches of the ’80s and ’90s: the scene of joyful middle-aged folks bopping aroun.

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Very few jazz albums possess more historical import and wow-inspiring significance than Bopping the Blues, which documents a 1946 session in which Davis supported a group and two singers, Earl Coleman and Ann Baker, in a splendid bop affair.

Ricky Tomlinson and Martine McCutcheon star in this new comedy drama for BBC Radio 2. The all-star cast also sees Clive Anderson playing a self-obsessed chat show host, with Andy Parsons as a policema.

Apr 29, 2012  · Thanks to Michel Ruppli, not only for his books which I use daily, but also for a large amount of rare and unpublished data from his giant archive. Thanks to all my friends – country music fans – in Czech Republic – Vladimir Pikora, Michal Gololobov, Milos Holecek, Tony Foglar, Rene Pavlik and Petr Vitous. Thanks to Mario Manciotti for sending session details daily Thanks to Kurt Rokitta for a.

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section.

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Find album credit information for Boppin’ the Blues – Miles Davis on AllMusic

So, alright I admit it, last week I was a little late with the offer but to prove i was sincere, here let me make it again. All Request Friday tomorrow, the first song – from now on it will be chose.

Nominations and Guidelines. Each year the Sacramento Blues Society receives nominations of those people in the Sacramento area who have been either a Performer (musician/vocalist) or Non-Performer (supporter of the blues) for 20 or more years, who are deserving of recognition.

Veteran Tomas Young, the subject of the new documentary film BODY OF WAR, was paralyzed within a week of arriving in Iraq. He is now the co-executive producer of a new compilation of antiwar and prote.

These rare performances capture 20-year-old Miles Davis in session at Radio Recorders, Hollywood, CA. This 1946 session features the vocals of Earl Coleman and Ann Baker, with tenor-saxophonist Gene Ammons and drummer Art Blakely in the backing band.

Amazon.com. Eddie "Lockjaw" Davis and Johnny Griffin were one of several two-tenor tandems working in jazz in the 1950s and ’60s. Other prominent pairings were the bop-blues combo of Gene Ammons and Sonny Stitt and the Lester Young disciples Zoot Sims and Al Cohn.Even Ammons and Stitt, though, would be hard-pressed to match the high-spirited swing that Davis and Griffin could generate, tearing.

Buy Bopping The Blues [180 Gram Vinyl] (LP) by Miles Davis (LP $29.98). Amoeba Music. Ships Free in the U.S.

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By age 18, Martino moved to Harlem, where he quickly earned a reputation as a hard-bopping six-stringer with formidable chops. BILL MILKOWSKI has been covering the jazz and blues scene since 1974.

If nothing else, the baby-boomer fave The Big Chill was responsible for what would become one of the biggest Hollywood cliches of the ’80s and ’90s: the scene of joyful middle-aged folks bopping aroun.

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The most commercially successful of all Motown’s 60s acts, which is saying quite a bit. Since everyone at Motown used the same backing musicians, and the Supremes didn’t write their own material (Smokey Robinson was the only Motown artist during this period who wrote all his own hits), what set them apart?Well, a lot of it is due to lead singer Diana Ross, who coasted through Motown’s most.

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